Call for short stories and flash-fiction

Call for fiction on the theme “PTSD and Close Encounters in War”

Close Encounters in War Journal (www.closeencountersinwar.org) is a peer-reviewed journal aimed at studying war as a human experience, through interdisciplinary and multidisciplinary approaches ranging from the Humanities to the Social Sciences. The third issue (n. 3) of the journal will be thematic and dedicated to the experience of PTSD as a consequence of war and conflict, and titled “Post-Traumatic Stress Disorder as Aftermath of Close Encounters in War”.

In connection with the publication of Issue n. 3, the website www.closeencountersinwar.org will host a brand new section devoted to fiction. We therefore invite authors to submit unpublished short stories (between 2500 and 5000 words) and flash-fiction (up to 500 words) on the topic of conflict-related PTSD. We accept stories in English, typed in Times 12, and double-spaced. Please submit by 31st March 2020 to ceiw2018@gmail.com. Please send doc, rtf, or odt files only. Please bear in mind that the CEIWJ is an independent project run by volunteers and that we cannot pay for your stories. Submission is free of charge and each author can submit only one story. Copyright for short stories and flash-fiction remains with the authors. We can accept multiple submissions (but please inform us immediately in case your story is accepted for publication elsewhere). Please write your full name, email address, title of the work, and word-count on the first page of your stories. Make sure that you mention in your email whether you wish to apply for the section “short stories” or “flash-fiction” when you submit.

We will publish your stories on our website in autumn 2020. Thank you for allowing us the privilege of reading your work!

Forms, History, Narrations, Big Data: Morphology and Historical Sequence

International conference, Turin, 21-22 November 2019

The conference will address issues in the field of historiography, literary criticism and the wider area of interpretative practices of artistic and literary works organizing a dialogue among various disciplines and perspectives. The aim is to resume the critical and philosophical debate on the issue of form and its modern variations or developments, first articulated in the works of Georg Simmel, André Jolles, Aby Warburg, Roland Barthes, Paul Ricoeur, and others. This debate revolved on the dialectics of sequence and simultaneity, diachronic succession and system, in order to gain a richer understanding of the notions of transformation and structure (central to structuralism, post-structuralism) as well as literary and artistic interpretation (central to hermeneutics).