Close Encounters in War Journal – Call for articles for Issue n. 6 (2023)

Close Encounters in War and Propaganda: The Battles for Hearts and Minds

Gino Boccasile (1901-1952) WWII Italian anti-American Fascist propaganda poster 1943. Public domain image.

As the war following the invasion of Ukraine rages with a deluge of air strikes, sieges and ground operations, the world holds its breath witnessing the conflict’s narrative being shaped by the global media as well as international politicians. Ukrainian President Volodymyr Zelensky tells his people how to view the war, helping them to make sense of the conflict and, more importantly, building the belief in Ukraine’s ultimate success. Russia, too, has a specific narrative of the war aimed at building support for the military operation which is described as “denazification” and “demilitarization” of Ukraine, but never as an invasion.

This parallel war to win hearts and minds is not new in the history of warfare. In fact, it is a rather crucial aspect of any conflict, but it has certainly become critical since the Twentieth century, with the technological development of media which has allowed to bring the news to every home. Besides strengthening morale, the aim of any war propaganda campaign is also to demoralize the enemy and break their will to fight. Because of its use over the centuries, the term “propaganda” has gained very strong negative connotations, evocative of some kind of sinister activity.

In the Twentieth century, propaganda has come to be seen mostly as manipulated information. In the United States in particular, the Committee on Public Information, also known as Creel Committee, in the Great War had created an unprecedented propaganda campaign, distorting perceptions, unleashing hate and sometimes even persecution against Germans in America. In the Thirties and Forties, the creation of refined and very efficient propaganda machines under the totalitarian regimes established in Europe between the wars strengthened its perception as an anti-democratic tool and a threat to individual freedom. The Third Reich’s Ministry of Public Enlightenment and Propaganda in Nazi Germany was headed by Joseph Goebbels and spread its message through art, music, radio and film, which had a key role in disseminating ideas on the superiority of the German military power and on antisemitism.

Propaganda, broadly defined as “the expression of opinions or actions carried out deliberately by individuals or groups with a view to influencing the opinions or actions of other individuals or groups for predetermined ends and through psychological manipulation” (Koppes&Black, Hollywood Goes to War, 2000, pp. 49-50), seemed to correspond more to the enemy’s approach. Allied information policies came to be known instead as psychological operations, with the creation of the Psychological Warfare Branch which had the specific purpose of countering the enemy’s message and promoting alternative Allied interpretations of current events. This approach became a vital strategic contribution to winning the war.

With the Cold War, these policies undertaken to counter the communist regimes’ propaganda came to be known as ‘public diplomacy’, which deals with “the cultivation by governments of public opinion in other countries; the interaction of private groups and interests in one country with another; the reporting of foreign affairs and its impact on policy; communication between those whose job is communication, as diplomats and foreign correspondents” (Cull, Public Diplomacy, 2006). In other words, it is persuasion through “soft power”, to adopt the definition of former National Intelligence Council chief Joseph S. Nye. If “hard power” is the ability to induce other countries to change their positions through the use of military and economic power, “soft power” involves “the ability to get what you want by attracting and persuading others to adopt your goals […] attraction is much cheaper than coercion” (Nye, The Paradox of American Power, 2002, p. 15).

Issue n. 6 of the CEIWJ wishes to investigate the theme of “close encounters in war” in connection with propaganda, psychological warfare and public diplomacy. We want to study individual testimonies and experiences as well as cultural productions and diplomatic sources through a variety of historical periods and examine them through a range of theoretical and critical perspectives.

We invite, in accordance with the scientific purpose of the journal, contributions that focus on human dimensions and perspectives to this topic. We, therefore, seek articles that analyse the close encounters in war with propaganda, psychological warfare and public diplomacy from the point of view of human experience, in ancient, modern and contemporary periods.

The following aspects (among others) may be considered:

  • Representation and perception of self and others;
  • Language, public information and propaganda (clichés, conceptual distortion, derogatory expressions, rhetoric manipulation, etc.);
  • Propaganda, public diplomacy and ideology (e.g. racism, nationalism, religious fanaticism, etc.);
  • Ethical and moral problems of propaganda;
  • The critique of propaganda through Micro-History and Oral History;
  • False myths and invented traditions;
  • Anti-propaganda attitudes: pacifism, criticism, non-violence, conscience objection, and sabotage;
  • Propaganda, public diplomacy and diversity (gender, disability, ethnicity, cultural heritage, etc.);
  • Pop culture, psychological warfare and propaganda (film, TV, journalism, and comics);
  • Propaganda and personal narratives (diaries, memoirs, and letters);
  • Literary fiction and propaganda;
  • The relationship between propaganda and science;
  • The impact of propaganda, psychological warfare and public diplomacy on local communities.

CEIWJ encourages inter/multidisciplinary approaches and dialogue among different scientific fields to promote discussion and scholarly research. The blending of historical approaches with such disciplines as History, Cultural Studies, Philosophy, International Relations, Intelligence Studies, Literary Studies, Media and Film Studies, Psychology, Communication and similar will be warmly welcome. Contributions from established scholars, early-career researchers, and practitioners who have dealt with the close encounter with propaganda, psychological warfare and public diplomacy in war in the course of their activities will be considered. Case studies may include different historical periods and geographic areas.

The editors of the Close Encounters in War Journal invite the submission of abstracts of 250 words in English by 31 March 2023 to ceiwj@nutorevelli.org. The authors invited to submit their works will be required to send articles of 6000-8000 words (endnotes included, bibliographical references not included in word-count), in English by 16 June 2023 to ceiwj@nutorevelli.org. All articles will undergo a process of double-blind peer review. We will notify the results of the peer-reviewing in September 2023. Final versions of revised articles will be submitted by November 2023.

Please see the submission guidelines.

Download the CFA in PDF.

Book Review: Illya Titko, “Blood Formula”, translated by Jeffrey Stephaniuk, Regina, Benchmark Press, 2021, 210 p.

By Gianluca Cinelli

Senior Lieutenant Illya Titko is a combat veteran from Kalush, Ivano-Frankivsk Oblast, Ukraine. He was drafted in September 2015, or rather, he volunteered for the mobilization that was underway. Mr. Titko writes his book from the per­spective of a citizen-soldier, as a man who continued to maintain one foot firmly in the civilian world, even though his new environment was a war zone, and “war is when your entire world is turned upside down.”

Jeffrey Stephaniuk, the excellent translator of this book, introduces with these words the author (at p. 6), highlighting the perspective from which the whole story is told: that of a “citizen in arms”, a man who has answered the impellent call of duty when his country was in dire danger. Titko himself adds some remarks a few pages later:

It was not an easy task for me to write this book. It was a real inner struggle, for over a year, on whether I should write it or not. But I was pre-occupied with those past events, mulling that chaotic time over and over in my mind, conscious of the fact that it really wasn’t that long ago when I lived through them. There were nights when I couldn’t even sleep. I’d argue with myself: Should I or should I not write this book? I clearly understood that not only should I write this book, but it was nec­essary for this book be written. First, it was necessary so that everything I ex­perienced would have its place and not become lost in the subsequent living of my everyday life. I needed to write this book so that those who hadn’t been there personally could know about these events. I wanted them to know what happened and how they happened to those involved, with the people, with the country, and of course all those individuals who resolved to walk this same path, namely sol­diers defending their country. I realized that such a book would be necessary for children, grandchildren, and great grandchildren, so that they would have access to first-hand accounts about these difficult and stormy days and nights in the history of our nation. (12)

Read the review here

Launch of new journal section: “Back to the light. Stories of healing from trauma”

War affects our world and lives, whether we are directly involved or not. Its effects are like those of a disease that spreads through the organism, weakening it and altering its relationship with the environment. War destroys communities, poisons associated life, and builds walls. And, which is worse, it plants rotten seeds from which bitter fruits will grow. One antidote to the spread of its malice is listening to the stories of those who have seen its very Gorgon’s face and suffered from its scorching touch.

The Close Encounters in War Journal inaugurates a new section called Back to the light. Stories of healing from trauma. It is entirely devoted to the stories of people who have experienced the war and learned how to cope with the burden of its traumatic memories. Sharing these stories means much to the authors both in terms of ethical commitment and psychological effort. They reveal something intimate that has been troubling them, a core of traumatic memories that haunt their lives. Nonetheless, they are eager to share their stories worldwide with a public of interested and empathic readers, who want to listen and know what war is about.

We are happy to launch this project with two contributions by Ukrainian refugee Olga Kornyushyna and American former infantryman Charles Collins. Olga tells about her traumatic encounter with war as a civilian who had to flee from Kyiv, bombed by the Russians in the present war. Charles tells how he went through four turns of deployment overseas and how he had to fight to heal the moral wounds that such experiences inflicted on him.

The editors of the CEIWJ would like to express their profound gratitude to the authors of these stories and invite all who have stories of healing from war trauma to share them with us and our readers. Veterans, families, friends, therapists, and healers are welcome to submit their contributions.

Our gratitude also goes to Ed Tick, who has generously accepted to embark on this endeavour as co-editor of the Back to the light project, and the members of the section-specific editorial board, Charles Aishi Blocher, Kate Dahlstedt, Nathan Graeser, Lawrence Markworth, Donald McCasland, Glen Miller, Roxy Runyan, and Floyd Striegel.

Announcement: Experiencing War at the Library of Congress

For the 75th anniversary of D-Day, the Library of Congress published a webpage titled Experiencing War. Researchers and anyone who is interested can access 12 collections with diaries, photos and oral histories of men and women who experienced that event.

The page can be accessed at this link: https://www.loc.gov/vets/stories/ex-war-dday75.html

The materials are part of one of the Library of Congress’ special projects: the Veterans History Project (VHP), part of the American Folklife Center, which collects personal accounts of American war veterans with the aim to preserve the memories of war and conflicts in which the United States took part, from the First World War up to the wars in Iraq and Afghanistan. The VHP’s materials provide a wealth of sources for researchers who work on experiences of war, and many of those can be accessed remotely through their website: https://www.loc.gov/vets/

Announcement: Shadow Agents of War Workshop

A fascinating event is taking place next week on 4th June at the University of Edinburgh: a one day workshop titled “Shadow Agents of War”, which will focus on the role in war of certain players who are largely overlooked by scholars of war and conflict, such as refugees, convicts, commoners and even animals. The workshop also promises to tackle methodological issues and point to relevant sources. The workshop is co-organised by Stephen Bowd, who is currently working on a project on gender and early modern warfare, Sarah Cockram, who focuses on the early modern period, too, and is interested in historical animal studies, and John Gagné whose current book project is on transcultural war in the early sixteenth century.

The workshop will have three sessions: The Unwilling Agents of War; The Organisers of War; The Suppliers of War.

The full programme can be accessed by following this link: https://research.shca.ed.ac.uk/shadow-agents-of-war/

A Fatal Encounter in War. A Case of Impact of PTSD on Civilians in Christopher Nolan’s “Dunkirk”

by Gianluca Cinelli

Dunkirk (2017) as a war movie seems to direct itself toward a new way of representing war on the screen. No gore, no mangled bodies are to be seen. It seems as though the director meant to say that horror in war does not only depend on the amount of terrifying visions of slaughter, but rather on the psychological perception of fear as an overwhelming emotion that constantly drives the combatant to choose between two basic actions: fighting or fleeing…

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War as Moral Experience in Wittgenstein’s Secret Diary

by Patrizia Piredda

When he stopped his studies of engineering in Manchester, Wittgenstein moved to Cambridge to study logic under the guidance of Bertrand Russell because he believed that by comprehending the fundamentals of language, and therefore the limits of language, he would understand its essence,   as well as that of human beings, in primis, himself…

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What does “proximity” mean for local interpreters working in zones of conflict?

By María Manuela Fernández Sánchez

Few professions have such discriminatory stereotypes as translators and interpreters. Very sadly, the Italian cliché traduttore, traditore is still thought to be true by many people. Nevertheless, both translators and interpreters have also contributed to the persistence of these stereotypes. To make matters worse, the concept of the unfaithful interpreters has been fuelled by sensationalist media as well as by military and political leaders. The following example is from The New York Times…

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Reading War Photographs: Who is the photographer?

By María Manuela Fernández Sánchez

In an interview published in the newspaper El País (April 17, 2015), José Palazón, president of the nongovernmental organization “Prodein”, and winner of the XVIII Luis Valtueña Humanitarian Photography Award, remembers a conversation that he had with a prosecutor, twenty years ago, when he was denouncing the abuses against immigrants in Melilla, the Spanish enclave on the North African coast. Palazón complained that his efforts to gain visibility were not getting anywhere, to which the prosecutor replied: “Look for evidences. Take photographs”. Since then, it seems that Palazón has learned his lesson and the photograph “Desolate landscapes”, which he submitted to the Luis Valtueña photography competition has travelled around the world.

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